Wade Coggeshall
Jim Brickman is a mainstay in contemporary music after 10 albums and more than 10 years.His classically-imbued compositions garner consistent praise from his most ardent fans, who always use the same word — "inspirational" — in describing him and his gift. It gave Brickman the idea to compile some of the spiritual hymns that have inspired him throughout his life.The resulting collection, the aptly titled "Grace," is done with poignant expression and heartfelt delivery. Featuring traditional hymns and new compositions, Brickman washes them in stately piano displays, sometimes flecked with elequent instrumental and vocal accompaniment, capable of shining pure, brilliant light on any setting.The keys to the album's effectiveness lie in the uncluttered production and chaste vocal appearances.Brickman's piano turns are recorded in a crisp and strikingly warm sound. His driving strikes ebb and flow on "Israel," inspired by the traditional Hebrew prayer "Ayn Kaylohenu." His heartrending infusion on "Heaven" adds a palpable gravitas. Guest musicians increase the songs' depth at other points — violinist Ludvig Girdland's tender strings on "How Great Thou Art" and Chris Korblein's classical guitar plinks on "Seventh Day" are highlights.The four numbers featuring vocals are equally pastel in their articulation. Ginny Owens and classical baritone singer Mario Frangoulis give powerfully understated performances on "Amazing Grace" and "Ave Maria" respectively. Even Michael Bolton, long guilty of histrionic spectacles, gives his trademark soaring talents on the Brickman-penned "Hear Me (Tears Into Wine)" while operating well within the confines of the music.Consider "Grace" Brickman's gift to his fans, the ones who have continuously supported him, allowing him to do what he does best.——On the Net:www.jimbrickman.comwww.windham.com
